Tag Archives: #amwriting

Grammar query – Is it I, or me, that’s wrong?

When to use ‘I’ or ‘me’ in a piece of writing can cause arguments, confusion, and – if you pen to paperthink you’re in the right – a severe dose of smugness about other people’s ignorance. But the correct usage is not always straightforward. Some years ago, in The State of the Language, Philip Howard wrote: “Already, even educated users of English, such as journalists, suffer from chronic uncertainty about the use of ‘I’ and ‘me’ and the other cases of pronouns.”

Old school grammarians, like Sir Ernest Gowers in Plain Words, have been quite clear about what they think is right: if the first pronoun is in the object case then the pronoun following ‘and’ must also be in the object case, as in ‘between him and me,’ or ‘he decided to let her go, but not me.’ Moreover in educated society, I was brought up to believe, the subject case should be used with the verb ‘to be.’

I tend to the old school usage, and sometimes have to stop myself jumping in with a correction when I hear people say things like ‘between you and I’ instead of my preferred ‘between you and me.’ But more modern grammarians, such as Oliver Kamm, have said there is no rule for or against using ‘I’ or ‘me’ in such a phrase. It’s just a question of what you are used to – although publishers and newspapers will have their house style rules, and writers will be expected to conform with these, whatever they personally prefer. pen and paper

You can’t blame modern teaching methods, or the vogue for more informal speech, as the quandary over which is correct goes back hundreds of years. After all, the greatest writer of them all, William Shakespeare, has written ‘All debts are cleared between you and I’ (Merchant of Venice) or ‘… Cassio and she together,’ (Othello), so if it is OK by him ….

No doubt I will continue to say and write ‘between you and me’ etc. because that is what I am comfortable with. But I should accept that it is a convention I am comfortable with pen and paper 2not a grammatical rule, and that to use ‘I’ instead of ‘me’ is not a blunder (even if my computer’s spell checker agrees with me!)

Anyway, I too am inconsistent. I have never answered the question ‘who is that?’ with the phrase ‘It is I.‘  To me ‘I’ sounds pretentious and ‘me’ sounds much more natural – even if it is not strictly grammatical for those who take their subject case pronouns very seriously!

More of my published work can be found at:

You can find me on Facebook: fb.me/margaretegrot.writer

Or on Twitter: https://twitter.com/meegrot

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AND ALEX STILL HAS ACNE is free to download 10th and 11th February.

Still short of cash post Christmas and wanting something new to read?

I have just renewed my contract with Solstice for And Alex Still has Acne – a short novel for teenagers about family, friendship, and some of the trials of being a teenager. To celebrate the new contract I am offering the novel as a free download on Saturday 10th and Sunday 11th February.

Blurb:And Alex -cover

Life for fourteen year old Alex is OK most of the time. He enjoys school, has a best friend Sam, and a pretty and only mildly irritating younger sister, Nicky. But then Sam starts acting strangely, and so does Nicky – and both insist on sharing secrets with him and making him promise not to tell anyone. Then Nicky goes missing and only Alex feels he knows where to find her. But is Sam anywhere around to help?

Excerpt:

Alex sat silently for several minutes. He had never knowingly broken the law before, apart from cycling on the pavement – but then his mother preferred him to do that than run risks on the road. He didn’t like the idea at all. But Sam was his friend, and he didn’t like to abandon him either. Moreover, despite himself, he felt a tingling of excitement at what Sam was proposing. Anyway, he could never knowingly give up an opportunity for more food these days.

“Where?” Sam knew his friend was not enquiring where his house was, and felt a glow of pleasure that Alex was in on this with him. He too felt a tingle of excitement, plus a mixture of guilt and fear – but not enough of either to stop him. “The One-Stop. It’s big enough to have blind corners and small enough to not have any security.”

“You’ve done this before.” It was a statement rather than a question. Sam nodded. “A couple of times. Tried Waitrose first ‘cos that’s where I knew from Mum shopping there – but security follows you round like you are a criminal or something, so I got out of there quick and tried the OneStop. Easy-peasy there.”

And it was. At least for Sam it was. Alex was amazed at how smoothly Sam sauntered into the shop. Alex felt hot and sweaty as soon as they got inside and started to take his parka off, knocking into the column of trolleys as he did so. Sam and the shop assistant turned to see what the noise was. He felt his face go bright red, which he knew was not a pretty sight against his ginger hair, and shrunk his neck down into his shirt collar as he pushed the trolleys back into a straight line. “Idiot,” hissed Sam. “Where are you going to put the stuff if you’ve taken your coat off?”

“Sorry,” Alex whispered back, pulling his coat back over his shoulders, shrinking down further into his collar, and picking up a basket as nonchalantly as he could. He couldn’t help feeling furtive as he looked around him, and he took a sharp intake of breath as his eye caught the poster by the baskets: ‘NO SHOPLIFTING – WE ALWAYS PROSECUTE!’ He stopped in his tracks, the basket dangling loosely on his arm.

“Idiot,” Sam hissed again, and made to take the basket off him. Then he re-considered.  “No. Keep the basket; I’ve got a better idea for you. Take this money …” – Sam handed over the 60p left from the McDonald’s bill – “… and go round the shop to see if you can buy anything with it, then meet me outside.”

Alex nodded. He could see he was going to be a liability if he stuck with his friend. He was also relieved that he was no longer involved, so couldn’t be prosecuted. That he was now acting as a decoy to distract the sole sales assistant’s attention, so in effect aiding and abetting the commission of a crime, didn’t occur to him.

They met up again just round the corner from the shop. Alex held out a packet of chewing gum and 2p. Sam opened his parka and revealed a packet of bacon, a twin pack of sausage rolls, two jelly trifles and a bag of satsumas. Alex gaped.  “How the heck did you manage all that?”

“Not too bad today. I just grabbed stuff out of the chilled section whilst the assistant was watching you didn’t nick anything in the sweets section, and picked the fruit up by the door on the way out. She just assumed I was with you – even gave me a smile!” “Well …” Alex was speechless for a minute. “I still don’t think it’s right.”

“No? Well you try going hungry for a couple of days and see how it feels. I used to feel like you – still do most of the time – but things are a bit different now. Anyway I only nick what I need to eat; only this time I’ve nicked stuff for you too. So you’re going to have to come home with me now.”

Alex knew there was some faulty logic in this, but he was partly too impressed, partly too loyal, to say any more. He just followed his friend meekly down the road and back to his house.

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Meet Best Selling Author Caz Frear

Caz 1Caz grew up in Coventry, UK, and spent her teenage years dreaming of moving to London and writing a novel.  After fulfilling her first dream, it wasn’t until she moved back to Coventry thirteen years later that the writing dream finally came true when she won the Richard and Judy Search for a Bestseller competition with her debut novel, Sweet Little Lies.  When she’s not agonising over snappy dialogue and incisive prose, she can be found swearing at the TV when Arsenal are playing and holding court in the pub* on topics she knows nothing about.

(*Which is exactly where my spy from the Coventry Writers’ Group found her!)

 What is the title of your recent book? (In a nutshell what is it about?)

 Sweet Little Lies tells the story of DC Cat Kinsella, a young detective within the Met, whoCaz 2 starts to believe that her father may be involved in the murder she’s been assigned to and the disappearance of a teenager from the west coast of Ireland in 1998.  It’s very much a police procedural at heart however it has strong domestic/family noir overtones as Cat struggles to balance her professional responsibilities and personal allegiances.

Can you tell us a bit about your experiences with the Richard and Judy competition?

 The whole thing was utterly surreal in a magnificent way!  From Richard Madeley calling me to tell me I’d won (and giving me Warwickshire pub recommendations!) to the day I recorded a podcast with them both, it was like looking at myself from the outside.  HOW did this happen?  Usually the lead-time between getting a book deal and seeing your books on the shelves is about a year, sometimes more, however winning the competition meant everything went into overdrive  – I found out that I’d won at the end of January and then my book was in the shops by the end of June.  Those six months were a complete blur of titles, covers, foreign rights deals, interviews, blog posts and a whole host of other things.  I can’t see how 2017 can be beaten but I have my fingers crossed!

What impact has winning had on your sales and future work as an author?

It’s had a huge impact and I’m so grateful!  So far Sweet Little Lies has hit the Nielsen Bookscan Top 50, hit number 1 in the Amazon eBook charts for nearly a month, been bought by Harper Collins for US publication, hit Audible number 1 in the ‘Mystery’ category, been optioned by Carnival Films (who make Downton Abbey and Whitechapel among other things) and was named Kobo Crime Novel of the Year.  I’m so happy and proud of Sweet Little Lies sales and have my fingers crossed that I can replicate that with Book 2!  Not long after the publication of Sweet Little Lies, Bonnier Zaffre offered me a new 2 book deal and I’ll be writing another two in the Cat Kinsella series.

What are the most challenging aspects of being a writer? And the most rewarding?

 I’ll be honest, being a published author is all I’ve ever wanted so it’s hard to say that any of it is particularly challenging.  Obviously some days the words just won’t flow or a scene won’t land on the page in exactly the way I’ve imagined it but you just need to push through on those days and remember that you can always edit later.  I suppose the solitary aspect of being a full-time writer can be quite challenging but there’s always Facebook and Twitter where you can connect with other authors who are usually feeling the same.

The most rewarding aspect is definitely reader feedback – knowing that your story kept someone up all night or made them miss their stop on the bus is the best feeling!

What is your top tip for an aspiring writer?

Finish your first draft.  It sounds like an obvious thing to say but so many people get hung up on perfection which means they end up with a fantastic half-novel that never gets finished.  The first draft is literally just about spilling the story onto the page so don’t worry if it’s not feeling like a literary masterpiece.  STOP editing as you go – the time to edit is in 2nd/3rd/4th/5th draft.

What are you working on at the moment?

Book 2 is in progress but as yet untitled.  DC Cat Kinsella and Murder Investigation Team 4 are back for more dramas and Cat’s family will feature again.  It’s a completely new case though and one that Cat isn’t personally attached to this time, however the events of Sweet Little Lies will still cast a shadow over her life (and potentially her career)

What do you like to read?

Anything and everything but I suppose about 80% falls within the crime and thriller genre.  My favourite crime authors are Tana French, Gillian Flynn, Lynda La Plante and Ann Cleeves, however some of my favourite novels are from far outside the crime genre – The Shock of the Fall by Nathan Filer and Rachel’s Holiday by Marian Keyes to name just two.  Ultimately, I love anything that is truly character-led.

Where can readers find you (Which shops, Amazon links etc)?

 Sweet Little Lies is still available in most good bookshops and some supermarkets.  WHSmith, Waterstones and Amazon are probably your best bet.  If you prefer audiobooks then it’s now available on www.audible.co.uk too.

 

 

Divided by a common language?

imagesAmong the many things the UK has in common with the USA, is the English language. Except that, with a huge ocean and many centuries between when the English spoken was pretty much the same and now, subtle, and not so subtle, divergences have given rise to the sentiment conveyed in the title of this post. No one is quite sure who said these famous words. They are often attributed to George Bernard Shaw. But they might be from Oscar Wilde,George_Bernard_Shaw_1934-12-06 or Mallory Browne, or Raymond Gram Swing, or the prolific Anon.

Some of the misunderstandings over words and phrases are humorous (to Brits, anyway – the American term ‘fanny’ is a more sexual part of the anatomy in Britain, so not a word to be used in polite society without a titter or a tut). Some are misleading (American pants are British trousers; the American woman’s purse is the British woman’s handbag). Some are annoying (‘have a nice day’ / ‘take care.’ – No, I’ll damn well have a sh***y day, and run out in front of cars, if I want to. But then, as the English novelist, Kingsley Amis, really did say: ‘If you can’t annoy someone with what you write, there’s little point in writing.’ And the same, I suppose, can go for speaking.

As much as the different meaning of words and phrases can cause confusion, is the difference in nuance. The English person’s use of understatement, often puzzles American and other nationalities.  Carol Midgley, recently wrote about this in The Times:

“When a man says he’s going ‘for a pint’ he means five, minimum. ‘I’ve felt better,’ means ‘I’m so ill I could die.’ ‘I’ve been a bit silly,’ means I’ve gambled the house away, and got my wife’s sister pregnant.’ …

… When someone is described as a ‘livewire’ it means they are ‘a drunk.’ ‘She’s a bit tricksy’ means ‘she’s a complete bitch.’ …

… ‘You look well,’ means ‘you look fat.’ ‘Help yourself,’ means ‘only take one you greedy pig.’ ‘I might see you later,’ means you definitely won’t, and ‘Right, I must let you get on,’ means ‘I’m bored with this conversation and want to end it now.’ (I’ve used that one a few times.)

Although I have had a number of books published in America (by Solstice Publishing), all my work sells better in the UK. Perhaps this is because, despite knowing about pants and purses, I use more typically British terms and stylistic idiosyncrasies than I realise.

There’s plenty more I could say on this topic. But right now, I’m sure you are busy, so I must let you get on.

If you have enjoyed this post, and would like to read more of my work, please go to one of my Amazon Author pages:

Swear words and story telling.

My YA novel, Girl Friends, features a lot of characters who, in real life, would swear frequently and rather unimaginatively. My initial mistake was to reproduce their conversations faithfully. That is, until a more experienced author pointed out that a) this was boring and b) no publisher of a YA novel would consider publishing my book if it remained in such a raw state. I hope my subsequent re-drafting – which did find a publisher – resulted in a sharper, more readable story. It is certainly a lot shorter!

A problem in real life is that many people use expeltives without realising – in the end it just seems like padding around the small, not necessarily very rude or significant point they want to make. Constant swearing can be tedious to listen to – even more so to read.

Consider the following dialogue, quoted in The Joy of Words, by Fritz Spiegl, purportedly between a soldier charged with rape and his defence lawyer.

“Well, I met this f’kn bird in a f’kn disco and we had a couple of f’kn drinks and went back to her f’kn place to have some f’kn coffee.”

“Then what happened?”

“Well one f’kn thing led to another, and before I f’kn knew where I was, we, you know, we was having sexual intercourse.”

Here the most common expletive in the English language has been used with such a lack of discrimination it has become meaningless, and isn’t used when he gets to the nub of his account.

Or perhaps the soldier was wiser than we think. The word expletive actually comes from the Latin expletus / explere. This does not mean a swear word / to swear, but ‘a filling in’ – exactly how he used the word.

Aside from being a rather long-winded and boring book (in my opinion) maybe DH Lawrence, in Lady Chatterley’s Lover, was fighting the wrong battle when he shocked polite society by trying to normalise the use of that particular expletive.

If you would like to read my novel, Girl Friends, or any of my other work, please follow one of the following links:

Girl Friends - coverGirl Friends

http://bookgoodies.com/a/B01EX9DPMS

myBook.to/GirlFriends

Amazon Author Pages

http://www.amazon.co.uk/-/e/B00RVO1BHO

http://www.amazon.com/-/e/B00RVO1BHO

 

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K. C. Sprayberry has a new book out!

Today my blog is all about about the latest offering from the multi genre American author, K.C. Sprayberry …

kathi1

Welcome to the release of a brand new psychological thriller from K.C. Sprayberry. Kathi2Thunder & Lightning is a new adult story suitable for mature young adult readers. It explores the dark world of false rape allegations, how they destroy lives, and leave people wondering what is right and what is wrong.

https://bookgoodies.com/a/B0788WD4QW

Blurb: The gridiron rivalry between the Georgia Bulldogs and the Auburn Tigers runs deep. Auburn has a knack of ruining Georgia’s perfect season at the worst possible moment…    The same can be said about Tarit ‘Lightning’ Berenson and his twin, Taren ‘Thunder’ Berenson. Tarit’s a running back for the Dawgs; his speed is legendary. Taren prefers online gaming; her skills are awesome.

Brad Weaver seeks justice for those falsely accused. He’s attempting to make up for his brother’s false arrest and subsequent “suicide” that evidence points to being a murder. Yet, proof of someone else’s involvement is hard to come by and he’s soon running at full speed to rescue Tarit from the same fate.

It all begins at a game, a win and revenge against a tough rival for University of Georgia Bulldogs.

“Dawgs, this is for you!”

Tarit’s words set up a mighty cheer on the night of the SEC Championship football game. His rejection of a girl’s advances at a party later that night turns the last half of his senior year of college into a nightmare without end.

Taren does her best to help her twin despite a lack of support from everyone, even their own parents. Her allegiance to him never wavers, nor does she stop searching for answers no matter what she has to do.

Time is running out…

Evidence mounts against him…

Until Taren makes a startling discovery…

Is it too late to save Tarit?

Excerpt

“We’re in the last quarter of the SEC final game of this season.” The announcer’s voice is barely audible over the roar of the crowd. “Tarit ‘Lightning’ Berenson prepares to receive the ball. Auburn’s Tigers are all over this talented running back, ready to stop him. But nothing has stopped Tarit all season. Will tonight be when ‘Lightning’ learns he’s not invincible?”

The voices echo in my head, reminding me the night that should have been my greatest triumph. The memory is the only thing I have left of what was once a stellar college career. Since the after-game party, when I turned down her advances and walked away alone, I’ve had to justify my every action. Juliana Mullins has been treated like a queen, given all kinds of sympathy and brought horror to my family.

“What can I do to stop this?”

About K.C. Sprayberry kathi3

Born and raised in Southern California’s Los Angeles basin, K.C. Sprayberry spent years traveling the United States and Europe while in the Air Force before settling in northwest Georgia. A new empty nester with her husband of more than twenty years, she spends her days figuring out new ways to torment her characters and coming up with innovative tales from the South and beyond.

She’s a multi-genre author who comes up with ideas from the strangest sources. Those who know her best will tell you that nothing is safe or sacred when she is observing real life. In fact, she considers any situation she witnesses as fair game when plotting a new story.

Find out more about her books at these social media sites:

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Speling Misteaks

Graham Sharpe co-founded the William Hill Sports Book of the Year award, and was a judge for this year’s competition (which was won, incidentally, by a biography of the cyclist Tom Simpson by Andy McGarth). After reading the 131 books that were entered into the competition he was dismayed by the number of misspellings of simple words. He described it on the Bookseller website as a ‘crime against books.’

He sympathised with writers, who can become blind to their own mistakes, and wondered whether some of the problem lay with the demise of the ‘dragon’ editor (my description), from the big publishing houses. Indie publishers have always been under time and financial constraints and have little leeway beyond, for example, offering one proof read with suggested corrections sent back to the author, one follow up by the editor, and a final check via the author to the editor in chief before the manuscript goes off to the printer.

This still sounds like quite a lot of checking, and opportunities to put things right. But even after all that, some of the most vigilant of authors can gasp with dismay when the printed version of their book is in their hands – and a missed typo leaps out from the page.

What to do? I find using the ‘tracking changes’ in Word difficult, and don’t use it myself if I can avoid it. But editors do, so it is something I need get up to speed on. I love the spell check on the computer, but it can be a false friend, and let through a misspelling, or ‘correct’ you to something you hadn’t intended. Beta readers can help, but that is not really their role, so don’t blame them if they don’t point out your tendency to add apostrophes where they aren’t needed (or leave them out where they are) etc.

Of course, a self-publisher has to take all the responsibility for errors, but writers with publishing house support can also follow a few simple steps to reduce errors. Yes, use spell check, track changes, recruit beta readers etc. But it also helps to leave a bit of time between finishing a manuscript and re-reading it, to change the font and letter size, and even change the ink colour – anything to make the work look different from last time you worked on it. Some mistakes will still get through – we are human, and ‘to air is human’ after all.

If you have any suggestions for reducing misspellings, I’d love to hear them!

If you have enjoyed this post, and would like to read more of my work, please go to my Amazon author page.

Two short stories might interest you to get a feel for my writing style. I don’t think there are any typos in either, but you never know …

Love in WaitingLove in Waiting 

 

sleeping beautySleeping Beauty

 

Both these short stories are published by Solstice as e-books for about £/$1.00 – http://www.solsticepublishing.com

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